RENT RED Digital Cinema EPIC-W GEMINI 5K S35 Camera Kit, Canon EF Features
RED introduced the new GEMINI 5K S35 sensor for the RED EPIC-W camera. GEMINI 5KS35 leverages dual sensitivity modes to provide creators with greater flexibility for a variety of shooting environments. Creatives are able to capture cinema-quality images with GEMINI's Standard Mode in well-lit conditionsor its Low Light Mode when in darker environments. RED EPIC-W 5K S35 delivers incredible dynamic range and produces cinema-quality images.
The GEMINI 5K S35 sensor provides exceptional low-light performance, allowing for cleaner imagery with less noise and better shadow detail. Operators can easily switch between modes through the camera's on-screen menu with no down time and experience an increased field of view at 2K and 4K resolutions compared to the higher resolution HELIUM sensor. In addition, the sensor's 30.72 mm x 18 mm dimensions allow for greater anamorphic lens coverage than with the HELIUM or RED DRAGON sensor.
Built on the compact DSMC2 form factor, the RED EPIC-W5K camera and sensor combination captures 5K full format motion at up to 96 fps,boasts incredibly fast data speeds of up to 275 MB/s and provides in-camera support of RED's enhanced image processing pipeline, IPP2. Like all cameras in the DSMC2 line up, EPIC-W 5K is able to shoot simultaneous REDCODE RAW and AppleProRes or Avid DNxHD/HR recording and adheres to RED's dedication to OBSOLESCENCE OBSOLETE-a core operating principle that allowscurrent RED owners to upgrade their technology as innovations are unveiled without having to purchase all new gear.
RED EPIC-W carries on the legacyof the original RED EPIC, which became the industry workhorse upon its release in 2010. The EPIC-W BRAIN enables creative flexibility in any situation.
GEMINI 5K S35 Featuring Dual Sensitivity Modes, GEMINI is RED's highest-sensitivity sensor to date and delivers exceptional low-light performance allowing for cleaner imagery with less noise and better shadow detail.
EPIC-W leverages lightning fast data rates up to 275 MB/s and records REDCODE RAW, as well as proxy 4K Apple ProRes or Avid DNxHR-simultaneously. Joining the DSMC2 lineup, EPIC-W benefits from the advanced modularity of the RED ecosystem and offers cable-free peripherals, an integrated mounting plate, wireless control and compatibility with a growing supply of modules and accessories. Also featuring interchangeable OLPFs and lensmounts, EPIC-W provides an all new perspective with full sensor coverage and support for your arsenal of S35 glass.
RENT RED Digital Cinema EPIC-W GEMINI 5K S35 Camera Kit, Canon EF Specifications
Material
Magnesium and Aluminum Alloy
Sensor Type
GEMINI 15.4 Megapixel Dual Sensitivity CMOS
Effective Pixels
5120 x 3000
Dynamic Range
16.5+ stops (Both Sensitivities)
Max Data Rates
Up to 275 MB/s using RED MINI-MAG (480GB, 512GB, 960GB, 1TB) Up to 225 MB/s using RED MINI-MAG (120GB, 240GB)
REDCODE RAW Max Frame Rates
75 fps at 5K Full Height 1.7:1 (5120 x 3000) 96 fps at 5K Full Format (5120 x 2700) 120 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160) 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620) 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080) 300 fps at 2K 2.4:1 (2048 x 864)
Playback Frame Rates
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps at all resolutions
Best Available REDCODE Settings
3:1 at 5K Full Format (5120 x 2700) at 24 fps 9:1 at 5K Full Format at 96 fps 2:1 at 4K Full Format (4096 x 2160) at 24 fps 7:1 at 4K Full Format at 120 fps
REDCODE RAW Formats
5K Full Height 1.7:1 (5120 x 3000), 6:5, Ana 2x, 1.3x 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, Ana 2x, 1.3x 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, Ana 2x, 1.3x 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, Ana 2x, 1.3x 2K Full Format (2048 x 1080), same formats as above
Apple ProRes
ProRes 422 HQ, 422, 422 LT at 4K (4096 x 2160) up to 29.97 fps ProRes 4444 XQ, 4444 at 2K (2048 x 1080) up to 120 fps ProRes 422 HQ, 422, 422 LT at 2K up to 120 fps
Avid Codecs
DNxHR HQX at 4K (4096 x 2160) 12-bit up to 29.97 fps DNxHR HQ, SQ, LB at 4K 8-bit up to 29.97 fps DNxHR 444 at 2K (2048 x 1080) 12-bit up to 120 fps DNxHD 444, HQX at 1920 x 1080 10-bit up to 120 fps DNxHD HQ, SQ, LB at 1920 x 1080 8-bit up to 120 fps
Operating Temperature
32 degrees F to 104 degrees F (0 degrees C to 40 degrees C)
Storage Temperature
-4 degrees F to 122 degrees F (-20 degrees C to 50 degrees C)
Relative Humidity
0% to 85% non-condensing
Color Management
Improved in-camera color science Supports 33x33x33, 32x32x32, 26x26x26, and 17x17x17 3D LUTs Variable number of 3D LUT outputs with DSMC2 expander module User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing
Integrated RCP WiFi antenna Ethernet, RS232, and GPI Trigger with DSMC2 expander module
Monitor Outputs
3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 1080p RGB or 4:2:2, 720p RGB or 4:2:2 480p RGB or 4:2:2 (HDMI only) SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
Monitor Options
DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable
