RENT Fujifilm GFX ETERNA 55 Cinema Camera (FUJIFILM G, ARRI PL) Features
The Soul of Film in a Digital World Bringing your cinematic visions to life, with a new perspective.
Introducing GFX ETERNA 55 In a proud re-entry to the cinema space, GFX ETERNA 55 blends rich heritage with cutting-edge technology. It's purpose built to deliver technical excellence, but more importantly, to elevate the visual storytelling of creators who refuse to be constrained. Discover a bold, new approach to the full spectrum of professional production.
• New Creative Heights: Open Gate at 43.6mm x 32.7mm • True Color Freedom: F-Gamut C is 81% of ACES • Cinematic Visuals: Ten 3D Film Simulation LUTs
Large Format Open Gate Record with GFX ETERNA 55's full 43.6mm x 32.7mm sensor and discover freedom unlike any you've experienced. Or, scale down through multiple recording formats to fit your creative and technical needs.
Anamorphic Squeeze Housing one of the tallest digital cinema imaging sensors on the market, GFX ETERNA 55 expands the scope of your creativity. With increased angle of view for spherical lenses and all anamorphic squeezes, you'll have space to tell your story as it deserves to be told.
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Open Gate Recording • 43.6 x 32.7mm Recording Image Area • 54.5mm Image Circle • 3840 x 2880 Sensor Resolution
Dual Native ISO With dual base sensitivities of ISO 800 and ISO 3200, FUJIFILM GFX ETERNA 55 remains flexible to production and creative needs, and makes it easier to create in a wider range of lighting conditions.
Optical Low-Pass Filter Delivering four-point separation with two filters, images remain highly detailed while moire and aliasing are reduced. The result is deeply cinematic-looking footage that's easier to work with in post-production.
Versatile Frame Rates Explore a range of staple frame rates, put in place to suit a multitude of production needs, from cinematic visions to commercial and independent filmmaking. Record up to 59.94p.
Varied Aspect Ratios Utilize the exceptional height of GF 4K Open Gate, with a native 4:3 ratio that expands framing potential. Or, choose between other classic formats to suit production needs, including 35mm DCI 4K and Super 35 4K DCI.
Color Science GFX ETERNA 55 provides varied ways to control your image's aesthetic and tap into Fujifilm's rich legacy of color development. Shape your vision in-camera with Film Simulations, or utilize the vast potential of c C and customizable 3D Film Simulation LUTs. GFX ETERNA 55 bears the namesake of Fujifilm's original analog film for motion pictures. Technology has changed, but intention remains the same.
The new FUJIFILM Digital Film Science contained within GFX ETERNA 55 is designed to give creatives maximal flexibility. Demand for beautiful, controllable color is met in a way that's adaptable to many levels of production. Beyond mathematical accuracy, it evokes a memory of how colors made you feel.
F-Log2 GFX ETERNA 55 delivers for professional post-production workflows, offering wide gamut and high dynamic range that exceed the expectations of most modern creatives.
Fujifilm's F-Log recording has gone through several iterations, arriving at a place of true cinematic performance within GFX ETERNA 55. The camera's F-Gamut C covers 81% of ACES for an easier grade, while its F-Log2 C gamma curve provides enough dynamic range to balance challenging lighting conditions beautifully.
Customizable 3D Film Simulation LUTs are designed with the end-to-end creative process in mind. They can be built around Fujifilm's iconic looks, then harnessed through recording and into the grade for a consistency of vision.
Control and Connectivity GFX ETERNA 55 is built for production. Between a metal alloy construction, versatile lens mounting and connectivity options, and intuitive controls, you'll find it a natural fit no matter the scale of your setup. Explore the camera's key features in an interactive 360 Degree view.
• Native V-Mount Battery Plate: Attachment of external V-Mount batteries • Top Handle Release Button: Releases top handle during removal • SDI Out: Port for 12G SDI output (max. 4K 59.94p, 12G/6G/3G) • HDMI Out: Port for HDMI Type A output • 3.5mm Microphone Jack: Port for microphone input • 3.5mm Headphone Jack: Port for headphone input • 2.5mm Remote: Jack Port for remote release input • Timecode In/Out: Port for timecode • Genlock In: Port for Genlock input • Ethernet In/Out: Port for RJ45 Ethernet • USB-C In/Out: Port for USB Type-C • 4-Pin Lemo DC In: Port for DC power input
H.265 ALL-Intra/MOV/ProRes 422/ProRes 422 HQ/ProRes 422LT: 8192 x 4320 at 23.98/24.00 fps [50 to 720 Mb/s] 7680 x 4320 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s] 6382 x 3590 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s] 4664 x 3380 at 23.98/24.00 fps [50 to 720 Mb/s] 4040 x 3380 at 23.98/24.00 fps [50 to 720 Mb/s] 4776 x 3184 at 23.98/24.00 fps [50 to 720 Mb/s] 8192 x 2968 at 23.98/24.00 fps [50 to 720 Mb/s]
Internal Recording (Contd.)
3840 x 2880 at 23.98/24.00/25/29.97/47.95/48.00 fps [50 to 720 Mb/s] 5440 x 2868 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s] 4776 x 2688 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s] 5824 x 2436 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s] DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 720 Mb/s] 3840 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 720 Mb/s]
Internal Recording (Contd..)
2048 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 720 Mb/s] 1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 720 Mb/s]
H.265 Long GOP/MOV/ProRes 422/ProRes 422 HQ/ProRes 422LT/XF-HEVC S Long GOP: 8192 x 4320 at 23.98/24.00 fps [50 to 200 Mb/s] 7680 x 4320 at 23.98/24.00/25/29.97 fps [50 to 200 Mb/s] 6382 x 3590 at 23.98/24.00/25/29.97 fps [50 to 200 Mb/s]
Internal Recording (Contd...)
4664 x 3380 at 23.98/24.00 fps [50 to 200 Mb/s] 4040 x 3380 at 23.98/24.00 fps [50 to 200 Mb/s] 4776 x 3184 at 23.98/24.00 fps [50 to 200 Mb/s] 8192 x 2968 at 23.98/24.00 fps [50 to 200 Mb/s] 3840 x 2880 at 23.98/24.00/25/29.97/47.95/48.00 fps [50 to 200 Mb/s] 5440 x 2868 at 23.98/24.00/25/29.97 fps [50 to 200 Mb/s] 4776 x 2688 at 23.98/24.00/25/29.97 fps [50 to 200 Mb/s]
Internal Recording (Contd-.)
5824 x 2436 at 23.98/24.00/25/29.97 fps [50 to 200 Mb/s] DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 200 Mb/s] 3840 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 200 Mb/s] 2048 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 200 Mb/s] 1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [50 to 200 Mb/s]
Video Output
SDI/BNC: 3840 x 2880 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps 4096 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps 3680 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps 2048 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps 1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps
4:2:2 10-Bit via HDMI: 8192 x 4320 at 23.98/24.00 fps 7680 x 4320 at 23.98/24.00/25/29.97 fps
Video Output (Contd.)
6382 x 3590 at 23.98/24.00/25/29.97 fps 4664 x 3380 at 23.98/24.00 fps 4040 x 3380 at 23.98/24.00 fps 4776 x 3184 at 23.98/24.00 fps 8192 x 2968 at 23.98/24.00 fps 3840 x 2880 at 23.98/24.00/25/29.97/47.95/48.00 fps 5440 x 2868 at 23.98/24.00/25/29.97 fps 5440 x 2868 at 23.98/24.00/25/29.97 fps 4776 x 2688 at 23.98/24.00/25/29.97 fps 5824 x 2436 at 23.98/24.00/25/29.97 fps
Video Output (Contd..)
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps 3840 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps 2048 x 1080 at 23.98/24.00/25/47.95/48.00/50/59.94 fps 1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps
