RENT Fujifilm GFX 100 II Medium Format Mirrorless Camera Kit Features
New GFX 102 MP CMOS II HS Imaging Sensor and X-Processor 5 8fps continuous mechanical shutter, innovative AI Autofocus algorithm, up to 8 Stops of In-Body Image Stabilization (IBIS) Internally Record 4K/ 60p at full sensor width in 4:2:2, 10-Bit Apple ProRes and jam sync timecode with ATOMOS AirGlu BT World First: Natively enabled for Frame.io Camera-to-Cloud integration with no accessory requirements Multiple Cinema Formats: FUJINON PREMISTA, 35mm, and 35mm Anamorphic
- Overview -
Fujifilm GFX100 II Mirrorless Camera GFX Series A powerhouse with advanced video features never before available in a GFX System or X Series camera. This medium format camera is equipped with a new 102MP CMOS II HS Imaging Sensor and X-Processor 5 for improved image quality for both photo and video over its predecessor. It can internally record 4K up to 60p at full sensor width in 4:2:2, capable of outputting 10-Bit Apple ProRes RAW. For cinematographers, the GFX100 II offers Vista Vision, 35mm FF, and 35mm FF Anamorphic formats for various crops and aspect ratios. Native integration of Frame.io Camera to Cloud technology will streamline video workflows with easy, immediate uploads. With eight stops of in-body image stabilization, 8fps continuous mechanical shutter and an improved AI Autofocus algorithm, the Fujifilm GFX100 II Mirrorless Camera is an exceptional tool for both photographers and videographers.
High Speed Performance
Subject Detection AF X-Processor 5 features subject detection AF, which delivers an autofocus performance previously unseen on a large format camera. Built using deep-learning AI technology, its advanced AF tracking and detection not only works on human faces and eyes, but also animals, birds, cars, motorcycles, bicycles, airplanes, and trains. With such power on tap, photographers can concentrate on creativity, confident GFX100 II will produce an autofocus performance to match.
Updated AF algorithm GFX100 II uses an updated AF prediction algorithm to deliver reliable performance in sports and other situations where accurate, high-speed motion tracking is needed.
120fps Display Frame Rate in Boost Mode Activating Boost mode on GFX100 II supercharges the display frame rate to approximately 120 frames-per-second more than enough to keep up with fast-moving subjects.
The Ultimate in Image Quality
ISO 80 Standard Sensitivity By improving the pixel structure on the new sensor, standard sensitivity has been extended to ISO 80. Now, photographers can make 16-bit images with wider dynamic range and lower noise than ever before.
HEIF Image Format Support GFX100 II supports the HEIF format, a 10-bit image file with over a billion colors. It delivers higher image quality, but uses up to 30% less space than a JPEG.
Pixel Shift Multi-Shot For the ultimate quality, GFX100 II can produce an ultra-high-resolution 400-megapixel image with a single press of the shutter release.Using in-body image stabilization to precisely shift the sensor by a half pixel between each frame, GFX100 II makes 20 frames in which every red, green, and blue pixel has the same information. The result is a detail-rich file with almost no false colors visible.
Power and Precision for Video
4:2:2 10-bit Internal Recording Proving itself as a hybrid powerhouse, GFX100 II offers 4K/60p and 8K/30p 4:2:2 10-bit in-camera recording. ISO 100 can also now be used as the standard movie sensitivity for the highest quality footage.
High speed rolling shutter Follow high speed subjects with confidence GFX100 II 's increased readout rate suppresses rolling shutter for true-to-life results.
Improved Subject Tracking Tracking subjects just got easier. Select AF-C mode with Wide/Tracking AF, then simply touch the subject on the rear LCD. GFX100 II will then track the object, even in situations with multiple subjects.
Compatible with Frame.io Camera to Cloud Embrace cloud first workflows and open lines of collaboration with GFX100 II 's World First, no accessary needed integration for Frame.io Camera to Cloud and deliver photos or video straight to the cloud the moment after they are created.
New MF assist Focus MAP For added precision while using manual focus, a new Focus MAP has been added as a MF assist function.
RAW output via HDMI Combined with a compatible ATOMOS HDMI device, RAW video output from GFX100 II can be recorded as 12-bit Apple ProRes RAW at resolutions up to 8K and frame rates up to 29.97fps.
FAN-001 Cooling Fan Extends continuous video recording times with this optional accessory. The fan does not require any additional cables for power and allows GFX100 II to keep recording, even in high-temperature environments.
RENT Fujifilm GFX 100 II Medium Format Mirrorless Camera Kit Specifications
Number Of Effective Pixels
102 million pixels
Image Sensor
43.8 x 32.9mm Bayer array with primary color filter Image Processing Engine: X-Processor 5
Sensor Cleaning System
Ultra Sonic Vibration
Storage Media
SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 / CFexpress Type B Card (-2TB) / SSD (-2TB)
File Format (Still)
DCF: Compliant with Design rule for Camera File system (DCF2.0), JPEG: Exif Ver.2.32, HEIF:4:2:2 10bit, RAW: 14bit/ 16bit RAW RAF original format, TIFF: 8bit/ 16bit RGB (In-camera RAW Conversion Only)
Image sensor shift mechanism with 5-axis compensation
Image Stabilizer Compensation Effect
Up to 8 stops (based on CIPA standard). Pitch/yaw shake only.
Digital Image Stabilization
Yes (movie mode only) (Image Stabilizer)
Image Stabilizer Is Mode Boost
Yes (movie mode only)
Shutter Type
Focal Plane Shutter
Shutter Speed
Mechanical Shutter: P mode: 30sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min to 1/4000sec. Bulb mode: up to 60min Electronic Shutter: P mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min to 1/32000sec. Bulb mode: up to 60min Electronic Front Curtain Shutter: P mode: 30sec to 1/4000 A mode: 30sec to 1/4000 S/M mode: 60min to 1/4000 Bulb mode: up to 60min
Shutter Speed (Contd.)
Mechanical + Electronic Shutter: P mode: 30sec. to 1/32000 A mode: 30sec to 1/32000 S/M mode: 60min to 1/32000 Bulb mode: up to 60min E-Front + Mechanical Shutter: P mode: 30sec. to 1/32000 A mode: 30sec to 1/32000 S/M mode: 60min to 1/32000 Bulb mode: up to 60min E-Front + Mechanical + Electronic Shutter: P mode: 30sec to 1/32000 A mode: 30sec to 1/32000 S/M mode: 60min to 1/32000 Bulb mode: up to 60min
Shutter Speed Movie
8K/DCI8K: 1/4000 to 1/24 sec, 5.8K:1/4000sec. to 1/24 sec., 4.4K: 1/4000sec. to 1/24 sec., 4.8K:1/4000sec. to 1/24 sec., 4.6K(ANAMOR): 1/4000sec. to 1/24 sec., 4K/DCI4K:1/4000sec. to 1/8 sec., FHD: 1/4000 to 1/8 sec.
Uncompressed RAW: 497 Frames, Compressed RAW + JPEG: 153 Frames, Lossless compressed RAW + JPEG: 152 Frames, Uncompressed RAW + JPEG: 116 Frames) CL Approx. 2.0fps (JPEG: 1000+ Frames, Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ Frames, Uncompressed RAW: 1000+ Frames, Compressed RAW + JPEG:1000+ Frames, Lossless compressed RAW + JPEG: 1000+Frames, Uncompressed RAW + JPEG:1000+ Frames)
AE Bracketing
AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: 1/3EV up to +/-3EV steps) Film Simulation Bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100%, 200%, 400%) ISO Sensitivity Bracketing ( +/-1/3EV, +/-2/3EV, +/-1EV) White Balance Bracketing ( +/-1, +/-2, +/-3)
AE Bracketing (Contd.)
Focus Bracketing (AUTO, MANUAL) Multiple Exposure Yes (Max. 9 frames), Additive, Average, Bright, Dark Pixel Shift Multi Shot HIGH RESOLUTION + ACCURATE COLOR YES ACCURATE COLOR: YES
Focus Mode
Single AF/ Continuous AF/ MF
Focus Type
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Focus Low-Light Performance
Contrast: -2.5EV with GF80mm F1.7 attached Phase Detection: -5.5EV with GF80mm F1.7
AF Frame Selection
Single point AF: 13 x9/ 25 x17 (Changeable size of AF frame) Zone AF: 3 x3/ 5 x5/ 7 x7 Custom1-3 from 117 areas on 13 x9 grid Wide/Tracking AF: Yes (AF-S: Wide/ AF-C: Tracking) All Face/eye detection: Yes Subject detection Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)
White Balance
Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)/ Custom1-3/ Color temperature selection (2500K-10000K)/ Daylight, Shade, Fluorescent light -1, Fluorescent light -2, Fluorescent light -3, Incandescent light, Underwater
Self-Timer
Still 10sec. / 2sec. Movie 10sec. / 5sec. / 3sec.
Interval Timer Shooting
Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)
Flash Sync Mode
Shoe Mount Flash:1st Curtain/ 2nd Curtain/ AUTO FP (HSS) Synchronized terminal:1st Curtain/ 2nd Curtain
Flash Mode
Shoe mount flash:TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI (When EF-X500 is set / OFF) Synchronized terminal: Manual
Hot Shoe
Yes (Dedicated TTL Flash compatible)
Viewfinder EVF
0.64" OLED Color Viewfinder Approx. 9.44 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 21mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5-+2m-1 Magnification: 1.00x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: Approx. 47 Degree (Horizontal Angle of View: Approx. 38 Degree ) Built-In Eye Sensor
Viewfinder OVF
v.s Capturing Area
LCD Monitor
3.2" (8.12cm) , Aspect Ratio 4:3, Approx. 2.36 million dots Tilt-Type(Three Direction), Touch Screen Color LCD Monitor
Touch Screen Shooting Mode
AF, Focus Area, OFF Double Tap ON/OFF Setting, Touch Function ON/OFF Setting, EVF Touch Screen Area Setting
Touch Screen Playback Mode
Swipe, Pinch-in / Pinch-out, Double-tap, Drag
Sub LCD Monitor
2.09" (5.30cm), Aspect Ratio 4:3, Approx. 320x219-dot, Monochrome LCD Monitor
DCI4K/17.9 (4096x2160)/4K/16.9 (3840x2160) 59.94p/50p/29.97p/25p/24p/23.98p ,720Mbps/360Mbps/200Mbps/100Mbps/50Mbps Full HD(17:9)(2048 x1080)/Full HD(16:9)(1920 x1080) 59.94p/50p/29.97p/25p/24p/23.98p, 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps Full HD High speed rec. (17:9)(2048x1080)/(16:9)(1920x1080) 120p/100p,720Mbps (recording), 360Mbps (recording),200Mbps (recording)
Film Simulation Mode
20 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Hi, PRO Neg.Std, Classic Neg, Nostalgic Neg, ETERNA/Cinema, ETERNA BLEACH, BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Clarity Setting
+/-5 steps
Monochromatic Color
Yes
Grain Effect
Roughness: STRONG, WEAK, OFF Size: LARGE, SMALL
Color Chrome Effect
Strong, Weak, Off
Color Chrome Blue
Strong, Weak, Off
Smooth Skin Effect
Strong, Weak, Off
Dynamic Range Setting
AUTO, 100%, 200%, 400% ISO restriction:DR 100%: No limit, DR 200%: ISO 160 or more, DR 400%: ISO 320 or more
Dynamic Range Setting (Movie)
100% / 200% / 400% ISO restriction: DR 100%: No limit, DR 200%: ISO 200 or more, DR 400%: ISO 400 or more
Wireless Transmitter Standard
IEEE802.11a/b/g/n/ac (standard wireless protocol)
Wireless Transmitter Encryption
WPA/WPA2 mixed mode, WPA3
Wireless Transmitter Access Mode
Infrastructure
Bluetooth Standard
Bluetooth Ver. 4.2 (Bluetooth low energy)
Bluetooth Operating Frequency
2402 - 2480MHz
Terminal - Digital Interface
USB Type-C (USB3.2 Gen2x1)
Terminal - Hdmi Output
HDMI connector (Type A)
Terminal - Others
3.5mm, stereo mini connector (Microphone) 3.5mm, stereo mini connector (Headphone) 2.5mm, Remote Release Connector LAN Terminal 1000BASE-T, 100BASE-TX, 10BASE-T Hot shoe Synchronized terminal
Power Supply
NP-W235 Li-ion battery (included)
Battery Life For Still Images
Normal Mode: Approx. 540 frames When GF 63mm F2.8 R WR is set Auto power save ON